Monaco

Casino of Monte Carlo reflected in the fountain

For a small and rocky mini-state essentially clinging to a cliff on the coast of the French Riviera there are few places more fabled than The Principality of Monaco and its neighbourhood of Monte Carlo which contains the Casino. Ruled by the Grimaldi family for over 700 years with a 20 year interruption for the French Revolution and occupied by the Italians and then the Germans in WW11 this is a place which has survived against the odds. Famously described by Somerset Maugham as “a sunny place for shady people” this is where the man went to “break the bank at the Casino of Monte Carlo”, where the various car rallies ending in Monte Carlo gave us the expression “Monte Carlo or Bust!” and which is struggling to cast off its image as a refuge for hot money.




Blingmobiles outside the Casino

It is easy to dismiss Monte Carlo as just a tax haven and an overpriced millionaire's posing ground, but there is far more to this compelling city than its wealthy reputation suggests. For a start it enjoys a spectacular setting as part of Monaco, a tiny principality smaller than London's Hyde Park that clings spectacularly to the rocky shores of the Mediterranean. Monaco is the second-smallest independent state in the world. It is a playground for tourists and a haven for the wealthy, the former drawn by its climate and the beauty of its setting and the latter by its advantageous tax regime. The country - a constitutional monarchy - is surrounded on three sides by France and occupies just less than two square kilometres (0.75 sq mile) of the Cote d'Azur, where the Alpes Maritimes meet the Mediterranean.






The law courts

Along the coast from Nice and just euro 3.40 on a rather lovely double decker train with superb sea views you come to the 2nd smallest country in the world, la Principauté de Monaco. Known for its Casino and its district of Monte Carlo it is a byword for wealth as it has no personal taxes. The personal fiefdom of the Grimaldi family for over 700 years it is still there largely because the Grimaldi’s were related to the Bonaparte’s so Napoleon left them alone. Before the Grimaldis It had a long history, Monaco's name comes from the 6th century BC nearby Phocaean Greek colony, referred to by the Ligurians as Monoikos, from the Greek "μόνοικος", "single house." According to an ancient myth, Hercules passed through the Monaco area and turned away the previous gods. As a result, a temple was constructed there, the temple of Hercules Monoikos. Because the only temple of this area was the "House" of Hercules, the city was called Monoikos.




The underground railway station which connects Monaco to Nice, Cannes, Ventemiglia in Italy and directly to Paris


Marble lined subway, with connecting lifts and escalators, from the station

At the city's spiritual heart is Monaco-Ville where the Place du Palais houses the grand palace that the legendary Grimaldi family still hold so dear. Their turbulent history, awash with glamour, tragedy and drama, colours Monte Carlo and only helps add to its mystique. It is here on “The Rock” - Rocher de Monaco - is the Prince’s Palace guarded by 110 strong uniformed carabineers. Inside it has a baroque air with somewhat fabulous frescoes and contents. At the centre is the formal courtyard where Prince Albert II of Monaco, 53, will marry Olympic swimmer Charlene Wittstock, 33, on July 2. Prince Albert said he wanted to host more friends, family and heads of state than the Saint Nicholas Cathedral - where his parents married - could hold, hence the ceremony in the courtyard.




Princes' Palace


Statue of François Grimaldi, "il Malizia" ("the Cunning"), disguised as a monk with a sword under his frock before the Prince's Palace of Monaco.

Further down the “Rock” through the narrow atmospheric streets and consecrated in 1875, Saint Nicholas Cathedral is a special place for Monegasques. It was where Princess Grace married Prince Rainier as well as where they have both been buried. The Grimaldi family have buried their family here for centuries and the tombs are beautiful. The area around it is the original town built on the “Rock” to defend against raiders and corsairs from the Barbary Coast across the Mediterranean in North Africa.


Saint Nicholas Cathedral


Cary Grant and Grace Kelly above Monaco in Hitchcock's "To catch a thief" - Filmed on the Riviera it led to her meeting Prince Rainier


Princess Grace Irish Library in Monaco

The Oceanographic Museum and Aquarium, whose grandiose facade rises spectacularly out of the sea, houses a world-renowned collection of marine fauna and interactive exhibits. Other museums include the Museum of Napoleonic Souvenirs and Collection of the Palace's Historic Archives, which exhibits thousands of objects relating to the First Empire (Napoleon I); the Wax Museum of the Princes of Monaco; and the Monte Carlo Story, a multivision show about Monaco's history.



Below the palace the skyline is more Manhattan than Mediterranean as Europe's movers and shakers scramble to snatch a precious piece of real estate and ridiculously expensive yachts cram the marinas. The good news is that a taste of Monte Carlo living is not just reserved for those with seven digits in their euro accounts as there are public parks and jogging tracks that can be enjoyed for free and alongside some of Europe's most expensive hotels and restaurants there are some cheaper, almost good value, options.


Monaco Ville



The Formula 1 Grand Prix and the Monte Carlo Rally may be the city's two most famous events, glitzy extravaganzas that seem to sum up the spirit of flash and showy Monte Carlo, but beneath the hype there is real substance supporting the style with a lively cultural scene and layers of history well worth exploring.


Café de Paris

The Grand Prix (the only one run on streets) took place this past weekend. Run since 1929, it is widely considered to be one of the most important and prestigious automobile races in the world, alongside the Indianapolis 500 and the 24 Hours of Le Mans (informally known as the Triple Crown of Motorsport). The circuit has been called "an exceptional location of glamour and prestige." The race is held on a narrow course laid out in the streets of Monaco, with many elevation changes and tight corners as well as a tunnel, making it one of the most demanding tracks in Formula One. In spite of the relatively low average speeds, it is a dangerous place to race.






Grand Prix Circuit

The first race in 1929, was organised by Anthony Noghès under the auspices of the "Automobile Club de Monaco", and was won by William Grover-Williams driving a Bugatti. The event was part of the pre-Second World War European Championship and was included in the first Formula One World Championship in 1950. There is no Formula One circuit like Monaco anywhere else in the world. The track winds its way between the buildings of Monte Carlo and is so slow the cars will get up to 250 kph just once. The average speed is by far the slowest of any circuit. The track is 3.5 kilometres shorter than Spa Francorchamps but the cars will take just 30 seconds less to cover the distance. In fact, the pace at Monaco is so slow that the Grand Prix will only cover 260km as opposed to the 300km run everywhere else. After cars leave the start line they veer right up a big climb towards the world famous casino. From there they start heading back down the hill towards the harbour where the track runs alongside the water before looping back onto the pit straight. It is easily one of the most picturesque circuits and is a photographers dream. The circuit is incredibly narrow and spectators can get closer to the cars than any other racetrack.


Go on a hop on / hop off "Grand Tour" in a rather natty open top bus for 17 euros

When we were there on the Saturday before the 2011 Grand Prix it was the day they open the circuit to the public to drive on before closing it for the final preparations for the qualifying laps and race by the F1 cars. So we sat in the Café de Paris by the Casino nursing an iced coffee (euro 7.50) whilst watching an eclectic selection of serious automobile bling and vintage cars and their equally interesting owners parade around the circuit. The terrace of the cafe is a poser’s paradise but at a price. The three gents at the next table had a large lager and two large weissbiers and their bill came to Euros 41.50 – which seemed fair enough as they were German!


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The Café de Paris, the Casino and indeed most things of note in Monaco are owned by the Société des Bains de Mer, which has in turn the Principality as its main shareholder. Whilst the Hotel de Paris gets the publicity for its position on Casino Square an even grander slice of the Belle Époque the Hotel Hermitage. It has a wonderful winter garden built by Gustav Eiffel’s firm and the adjacent Les Thermes Marins Monte-Carlo which offer a wonderfully relaxed spa experience. Indeed if you can afford to go there in the first place your life is probably wonderfully relaxed already! Despite its prices it is not an intimidating place to be and you can take your time there. The large terrace overlooks the main port, and as you lie back on one of the sun-loungers, looking at the stunning yachts in the deep-blue Mediterranean Sea it is hard not to feel seduced by the Monte Carlo way of life.


Harbour de Fontvielle

We saw Prince Albert but what touched me most were the Monaco and Irish flags outside the Princess Grace Irish Library. For Albert’s mother was the actress Grace Kelly, daughter of an Irish immigrant to America “Black” Jack Kelly of Philadelphia. She tragically died in a car accident in 1982. I was in Chicago at the time and remember her death was receiving wall-to-wall coverage on the channels in the United States. In the modern era “star quality” is an overblown term but the beautiful Hollywood Actress who became Her Serene Highness Princess Grace of Monaco was undoubtedly a star. Her memory is everywhere in Monaco from the beautiful rose garden a bereft Prince Ranier planted in her memory to the “Princess Grace Trail” which has photos of her at 25 points in Monaco illustrating her life there.


Grace Kelly's son Prince Albert inaugurating the “Princess Grace Trail” which consist of 25 photo's of Princess Grace

Her son Prince Albert already has children from two previous relationships – but under Monaco’s constitution neither can take the throne because they are ‘love children’. Only 'direct and legitimate' descendants born within marriage are allowed to rule the tiny Mediterranean tax-haven. The last time Monaco celebrated a wedding of its ruling prince was in 1956, when Albert’s father Rainier married Grace Kelly, bringing a huge dose of glamour to the tiny Mediterranean principality. The palace and Monaco's tourist board have joined forces to orchestrate the wedding of the 53-year-old perennial bachelor Prince Albert to Ms. Wittstock, a South African swimming champ, hoping it will rekindle memories of Monaco's glitzy heyday.



Billed as "the wedding of the century" by the tourist board, the religious ceremony will take place on July 2, 2011 on the carrera marble staircase in the palace courtyard, at Prince Albert's explicit request, rather than in the cathedral where Prince Rainier and Princess Grace got hitched. The palace gates will be left open so up to 3,500 visitors can follow the ceremony on giant screens in the palace square. More screens broadcasting the nuptials will be set up throughout the city, which will get a two-day public holiday for the celebrations.


A relic of Saint Devote, Patron Saint of Monaco

People think the rich and famous flock to Monaco for the tax breaks but it is more complex than that. Mainly they have already made (and paid taxes) on their money before they get there. Monaco certainly gives them exemption from inheritance taxes but it also gives them security, privacy, a sophisticated financial infrastructure and a good lifestyle. Also, it is not isolated, Paris is 6 hours by train, Italy 20 minutes and the rather beautiful Nice Cote d’Azur Airport connects efficiently to most points including direct flights to New York. So the conditions applying to the Carte de Séjour which allows non-Monegasque to be resident are strict and the entry costs significant. You must prove who you are and that you have no criminal record. You must have Euros 2 million deposited in a Monaco bank account and you must show you are renting or own the property in Monaco you are staying in. A four bedroom apartment here would cost upwards of Euros 10 million or 17,000 Euros a month to rent. To be comfortable applying you really need to be c. 20 million Euros and up.


Should I leave my millions here or ask my friend Fred for advice?

Many also have yachts in one of the harbours although many more have to keep them elsewhere as berths are coveted and joining the YCM (Yacht Club of Monaco) is not easy as you need to be sponsored by two existing members and be approved by a board headed by Prince Albert which meets twice a year. The Prince’s word is final as a previous member, Aristotle Onassis, found to his cost when he was expelled by Prince Rainer not just from the YCM but from the Principality. The yachts in Port Hercule are jokingly referred to by locals as the “Olympic Flame”, because they never go out! The largest at 147 metres is Prince Abdul Aziz the yacht of the King of Saudi Arabia; it has not left the port in over four years.


A yellow submarine outside The Oceanographic Museum and Aquarium

Security is an impressive feature with Monaco having one policeman for every hundred inhabitants, a 24-hour video surveillance system covering the entire Principality and in the entrance halls of the vast majority of apartment blocks, a transmission system worthy of the best armies in the world, the possibility of blocking all access points to the Principality in a matter of minutes. Not forgetting surveillance teams inside the Casino, all gambling establishments and hotels. The rule instigated by Prince Rainier is simple:"Safety in Monaco must be 100%". And they are not far from it. It should be said that the orders given to the 400 policeman who are trained intensively for almost 2 years are extremely strict: anything that might disrupt harmony is forbidden; they practiced zero-tolerance before it had a name! There are no on the spot fines in Monaco as that would tolerate law breaking. The ever courteous Police have a polite word and if that doesn’t work arrest you or instantly deport you. To the Monegasque it is about respect for Monaco and for each other, simple.


Monaco Ville - an owner driving a 40 year old Bentley into a wood paneled car lift in a baroque mansion

There is no doubting Monaco’s uniqueness and indeed the ingenuity in making it the extraordinary place it has become today. It is stitched together on the side of the cliff face of La Turbie with flyovers, tunnels, marble lined subways and public escalators and lifts and with around 20% of its land area reclaimed from the sea. On this craggy base it has also expanded upwards with a 49 storey apartment block being completed next year. With an area of 1.98 km2 (0.76 sq mi) with a population of 35,986 as of 2011, Monaco boasts the world's highest GDP nominal per capita at $215,163 and is one of the most densely populated country in the world. But there is another side for 26,000 of the population are native Monegasque who take real pride that they through resourcefulness and initiative have created a silk purse out of a sows ear of a rocky barren foreshore in a Principality which lost 95% of its land and its economic basis when Menton and Roquebrune seceded in 1861. So here we have the paradox, a non member of the EU which uses the Euro, an independent nation state which is defended by France and the most densely populated country in the world which oozes glamour and wealth. The Grimaldis and the Monegasques have created a special place apart from the rest of the world; you have to see the fabled enclave for yourself.

Also see this on the villas on the promontory of Cap Martin which overlooks Monaco;

http://daithaic.blogspot.com/2010/12/villa-torre-clementina-roquebrune-cap.html

And this on E-1027 the unique villa designed by the Irish Designer Eileen Grey on the Sentier Littoral, the costal footpath between Monaco and Roquebrune which inspired Le Corbusier.

http://daithaic.blogspot.com/2008/09/e-1027-roquebrune-cap-martin.html


Port Hercule

Eileen Gray Screen sells for €1.3m

PARAVENT 'BRIQUES', c. 1923-1925

I have long championed the Irish Designer Eileen Gray who greatly influenced 20th Century Design and Architecture at the creative nexus of the Modern Movement. Her iconic seaside villa E-1027 at Roquebrune Cap Martin obsessed the architect Le Corbusier who died of a heart attack swimming in the sea within sight of it. The furniture and fittings she designed for E-1027, an apartment on the Rue Lota in Paris and her own apartment on Rue Bonaparte are classics of 20th Century Design. Her contribution was largely unsung before her death in 1976 but now art connoisseurs are paying huge sums for original examples of her work. Last year a small armchair designed by her achieved the highest prices ever for a piece of 20th Century furniture and yesterday at Christie’s in Paris other pieces achieved truly remarkable prices.


Eileen Gray 1879 - 1976

Eileen Gray is regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Her design style was as distinctive as her way of working, and Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies Van Der Rohe, who shared many of her ideals. Her voluptuous leather and tubular steel Bibendum Chair, and clinically chic E-1027 glass and tubular steel table are now as familiar as icons of the International Style as Le Corbusier and Perriands classic Grand Confort club chairs, yet for most of her career she was relegated to obscurity by the same proud singularity that makes her work so prized today. From her early lacquer work to design classics like the Bibendum chair and her architectural masterpiece, E-1027, Eileen Gray's work was as individual as it was exciting.


FAUTEUIL 'TRANSAT', c. 1926-1930

Eileen Gray was an extraordinary character, single-minded and individualistic, who managed to capture and express in her own way the prevailing spirit of the age in design through the first decades of the 20th century. She was celebrated in February 2009 during the auction of the Yves Saint Laurent-Pierre Bergé collections at the Grand Palais when her remarkable ‘Serpents’ chair, circa 1917-1919, originally from the collections of fashionable milliner Suzanne Talbot and the quintessence of her work in lacquer, achieved the record sum of €21 million.


Fauteuil aux Serpents


Table d'appoint pour E-1027

Eileen Gray arrived in Paris in 1902, studying at the Académie Colorassi and the Académie Julian before exploring the medium of lacquer after her curiosity was sparked by a visit to a small atelier in Soho. She met Japanese artist Seizo Sugarawa with whom she would work for a number of years. An enigmatic personality, as private as she was determined, she chose in the early 1920s to move away from the highly refined lacquer work of her early days, in order to focus on more functionalist designs in metal, glass and painted wood, inspired at first by the Modernist ideas of the Dutch De Stjil movement.


Eileen Gray in her rue de Bonaparte apartment with the Brick Screen in 1970

Her creativity and vision found expression in new forms, such as the ‘Brick’ screen – developed from the panels she used in the hallway of the apartment of Suzanne Talbot on Rue de Lota, circa 1922. The black-lacquered screen presented here was part of her personal furnishing and featured in her apartment on Rue Bonaparte. Other examples of her work include the floor light, the black and yellow base of which resembles a piece of Constructivist architecture, again made for her own use, or the ‘Transat’ armchair, circa 1925, in black lacquer with seat made from coated canvas, formerly the property of her friend and collaborator architect Jean Badovici, founder of the avant-garde magazine L’Architecture Vivante, 1923.


‘Aéroplane’ ceiling light

Her unique inspiration can be seen in her ‘Aéroplane’ ceiling light, circa 1925-28, constructed like an abstract sculpture from metal elements and two sheets of glass, one white, one blue. This specific example had belonged to Miss Gray. Another was commissioned by the eminent connoisseur and patron of Modernism, the Maharaja of Indore.

The Gourdon Collection of Art Nouveau, Art Deco and modernist design is being sold by Christie’s International at the Palais de Tokyo on March 29-31, 2011. The 500 works are owned by French collector Laurent Negro, who has been buying 20th-century design since the 1990s. Her 1920s black lacquer “Brick” screen sold at auction last night. The black lacquered screen panel, part of the late Co Wexford designer's personal furniture at her Paris apartment, was one of the first pieces to go under the hammer last night and sold for €1.3m at Christie's in Paris. The 1923-1925 'Brick' screen was among 15 Gray pieces that are expected to fetch up to €6m by the end of the auction tomorrow. An Bibendum Armchair - with a tubular chrome base and puffy seats - that is seen as a classic example of her radical foray into modernism - sold for €709,000, while a circa 1926-1929 standing table fetched €241,000.



Her works were included in the prestigious Gourdon Collection which went under the hammer at the Palais de Tokyo in Paris yesterday. The collection is regarded as one of the most important private collections of early 20th Century modern art. Eileen Gray was born in Brownswood, near Enniscorthy, Co Wexford in 1879, and died in Paris aged 99. The furniture from her Paris apartment now forms the centrepiece of the Eileen Gray exhibition at the National Museum, Collins Barracks in Dublin. It is good that this most famous Irish designer’s great talent is recognised in her own country and in the extraordinary prices her works achieve in the salerooms.


Maison en bord de mer E.1027 - Roquebrune Cap Martin

For more on E-1027, the iconic Moderne house designed by Eileen Gray at Roquebrune Cap Martin see;

http://daithaic.blogspot.com/2008/09/e-1027-roquebrune-cap-martin.html

For the story of Eileen Gray’s armchair, Fauteuil aux Serpents, which achieved the highest price ever for a piece of 20th Century furniture see;

http://daithaic.blogspot.com/2009/02/eileen-grays-armchair.html



FAUTEUIL 'BIBENDUM', c. 1926-1929

Eileen Gray’s Armchair

Fauteuil aux Serpents

The Celtic Sage has previously championed the Irish Designer Eileen Grey who designed many famous furniture pieces and the seminal Moderne building E-1027 at Roquebrune Cap Martin. She is now in the news because an armchair she designed sold by the estate of Yves Saint Laurent has sold at auction for almost €22m, the highest price ever paid for a piece of 20th Century furniture.

Wexford-born Eileen Gray was one of the most important architects and designers of the 20th century. She was an Irish aristocrat who inhabited a bohemian world and who was neglected for much of her career but whose work and achievements has been greatly appreciated with hindsight, particularly in Ireland where she was largely unknown in her lifetime as she mainly lived and worked in France. From her early laquer work to design classics like the Bibendum chair and her architectural masterpiece, E-1027, Eileen Gray's work was as individual as it was exciting. The Dutch magazine, Wendingen, declared in 1924: "Eileen Gray occupies the centre of the modern movement. In all her tendencies, visions and expressions she is modern."


Eileen Gray Snake Chair

After her father’s death in 1900, Gray moved to Paris with two friends from the Slade, Jessie Gavin and Kathleen Bruce, and continued her studies at the Académie Julian and the École Colarossi. For the next few years she shuttled between Paris and the family’s homes in London and Ireland, but moved back to London in 1905 when her mother became ill.

During her stay in London, Gray returned to the Slade but found drawing and painting less and less satisfying. One day she came across a lacquer repair shop run by a Mr Charles on Dean Street in Soho. Allured by the antique Chinese and Japanese lacquer screens in the shop, Eileen asked if she could learn the rudiments of lacquer working. By the time she returned to Paris in 1906, she was obsessed by the art of lacquer and, thanks to Mr Charles’ contacts, had an introduction to a young lacquer craftsman, Sugawara. He came from Jahoji, a village in northern Japan famous for its lacquer work and agreed to teach her. In 1907, Gray found a spacious first floor apartment at 21 rue Bonaparte where she could live and work and persuaded her mother to increase her allowance so that she could afford the rent. Three years later, Gray bought the apartment outright and thereafter it became her main home.


Le Corbusier, his wife Yvonne and Jean Badovici in E.1027 with one of Corbusier's murals in the background

Gray studied with Sugiwara for four years. Lacquer work was not only painstaking, but perilous. Like many people who come into close contact with it, she contracted a painful ‘lacquer disease’ on her hands. Slowly she refined her technique to create stark forms with simple geometric decorations. This simplicity was, however, as much a product of the complexity of the process as of Gray's aesthetic preferences. It was not until 1913 that she felt confident enough to exhibit her work by showing some decorative panels at the Salon des Artistes Décorateurs. They attracted the attention of the Duchess of Clermont-Tonnerre and the couturier Jacques Doucet, who bought one of her panels at the Salon and commissioned other pieces of lacquer work from Eileen for his Paris apartment.

The leather armchair standing at just 24 inches high and designed by Eileen Grey 90 years ago has been sold for almost €22m. It is a record for a piece of 20th century furniture and, in fetching six-and-a-half times its pre-auction estimate at Christie's in Paris, the chair proved a welcome tonic for a world art market worried about the economic climate.

"We're absolutely amazed by what's happened," Edward Dolman, Christie's managing director, said of the sale. "There are still a lot of extremely wealthy people out there." The unique piece, created by Wexford-born designer Eileen Gray between 1917 and 1919, was the highlight so far of a three-day sale of artworks collected by the late designer Yves Saint Laurent and his partner. The first two days have brought in more than €300m in sales, another world record.


Eileen Gray

Gray was first to become know for the lacquer technique she developed, a technique that combined the Asian lacquer tradition and its motifs with a contemporary modernist aesthetic. By 1912-1913 she was already becoming a name, and her luxurious screens, tables, and door panels sold well and were exhibited.

In the hour before the chair was sold, another piece by Ms Gray briefly held the title of the most-expensive piece of 20th century design sold at auction, when a New York dealer paid €4m for a sideboard dating from 1915 to 1917.

But there was no doubting the real star item on offer. Known as the Fauteuil aux Serpent or "snakes' armchair" because of the ornate sculptures on its sweeping armrests, the one-off rounded brown leather piece was designed by Ms Gray when she was in her early 30s and after she had moved from Enniscorthy to London to study art.

She became renowned for the luxurious finish of her lacquered furniture, but it was not until after her death in 1976 that she was truly recognised as one of the most important furniture designers and architects of the early 20th century. The buyer was the same dealer who had sold it to Mr Saint Laurent in the early '70s. Cheska Vallois raised his bid in increments of €500,000 to see off a phone rival with a bid of €21.9m, and was applauded by the 1,000 people present.

The highest amount ever paid for a piece of furniture was €27.5m - paid for an 18th century Badminton cabinet in 2004. "It is a fabulous price," Philippe Garner, Christie's international head of 20th Century Decorative Art and Design, said yesterday.

"The sale was an homage to the great personalities, designers, collectors and patrons who so marked their era in Paris in the 1920s and 1930s and to the pioneering vision of Yves Saint Laurent and Pierre Bergé as collectors."

Ms Gray flitted between London and Paris for much of her life and had a colourful personal life, taking both male and female lovers, but never marrying. She died at the age of 98.


Yves Saint Laurent

Yves Saint Laurent was hailed as a 20th century cultural icon who revolutionised the way women dressed. The reclusive Saint Laurent's couture creations won global fine art status and he was widely considered to be one of an elite club of designers including Christian Dior and Coco Chanel who made Paris the fashion capital of the world. From Princess Grace of Monaco to the actress Catherine Deneuve, Saint Laurent's creations adorned many famous women but he was also the first designer to make luxury labels accessible to a wider audience through innovative read-to-wear collections.

Saint Laurent and Mr Bergé began collecting art in the 1950s, at a time when the young designer was gaining a worldwide reputation with the fashion house Christian Dior. He needed art "like water to survive", in the words of one dealer, and acknowledged that his creations were inspired by his passion for paintings. Yves Saint Laurent died of cancer aged 71 in June last year.




Jardins Majorelle, Marrakech

Mr Bergé said the decision to sell the collection was taken because without him "it has lost the greater part of its significance". The proceeds are to help create a new foundation for Aids research. Yves St. Laurent and Pierre Bergé were wonderful patrons of the arts and in 1980 purchased the wonderful gardens and house laid out by the French Painter Jacques Majorelle in Marrakech. St Laurent, who was born and grew up in Algeria, had a particular affinity with the Maghreb. They had been visitors to and admirers of the Majorelle garden and they saved it from speculators who had devastated the inheritance of Marrakech’s gardens. Jacque Majorelle’s former house now contains a museum of Islamic art collected by Yves and his partner.

For more about Eileen Gray and the house she designed which became Le Corbusier’s obsession see;

http://daithaic.blogspot.com/2008/09/e-1027-roquebrune-cap-martin.html



E-1027, Roquebrune Cap Martin

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